', 'auto', 'clientTracker'); ga('clientTracker.send', 'pageview');
Apr 3, 2014
CLICK 'Pod' icon (above left) to listen to the interview
KGNU's Claudia Cragg speaks here with Francine Prose about her newest novel, Lovers at the Chameleon Club, Paris 1932. Emerging from the austerity and deprivation of the Great War, Paris in the 1920s shimmers with excitement, dissipation, and freedom.
It is a place of intoxicating ambition, passion, art, and discontent, where louche jazz venues like the Chameleon Club draw expats, artists, libertines, and parvenus looking to indulge their true selves. It is at the Chameleon where the striking Lou Villars, an extraordinary athlete and scandalous cross-dressing lesbian, finds refuge among the club’s loyal patrons, including rising Hungarian photographer Gabor Tsenyi, socialite and art patron Baroness Lily de Rossignol, and caustic American writer Lionel Maine.
As the years pass, their fortunes-and the world itself-evolve. Lou falls desperately in love and finds success as a racecar driver.
Gabor builds his reputation with startlingly vivid and imaginative photographs, including a haunting portrait of Lou and her lover, which will resonate through all their lives. As the exuberant 20s give way to the Depression of the 30s, Lou experiences another metamorphosis-sparked by tumultuous events-that will warp her earnest desire for love and approval into something far more sinister: collaboration with the Nazis.
Told in a kaleidoscope of voices that circle around the dark star of Lou Villars, Lovers at the Chameleon Club, Paris 1932 evokes this incandescent city with brio, humor, and intimacy. Exploring a turbulent time defined by terror, bravery, and difficult moral choices, it raises critical questions about truth and memory and the nature of storytelling itself.
(There was an excellent Janet Maslin review of the novel also in the April 10 edition of The New York Times.)